Therese Bolliger


noble language / vulgar tongues, 1999





noble language / vulgar tongues, 1999
diptych, each panel 145cm x 180cm x 10cm
pigment on paper

presented in the context of the exhibition ellipsis
Koffler Gallery, Toronto, January 7 - February 27, 1999


noble language / vulgar tongues acknowledges that in an information-driven society, information is privileged over meaning and more subjective forms of expression, verbal, oral, somatic, are increasingly marginalized.

The title “noble language” refers to an idealized language, self-conscious, objective, abstract, cerebral. Adopting a carefully measured style, it is language honed and shaped for a public audience and invested with a sense of permanence. By contrast “Vulgar tongues” embraces the spoken word and communications which are subjective, immediate spontaneous, unpredictable and potentially transgressive. Denoting a personalized language, it is visceral and clearly references the primacy of the body.

Juxtaposed, the phrases accentuate the disjunction between textual and oral communication, text and subtext, mind and body, while underscoring our attendant systems of valuation.







speak / unspeakable, 1994




Speak / Unspeakable, 1994

think / unthinkable
speak / unspeakable
comprehend / incomprehensible
tolerate / intolerable

set of 4 cards, each 10cm X 15cm
a mail project  1994 - 1995


Contrasting terms are inscribed as opposites at the top and bottom on each of the four cards. They make visible, the process, deliberations or preconditions necessary for the formulation and articulation of a definition of ethical and moral codes. Boundaries, differentiating between tolerable and unacceptable norms or actions emerge.











Presents for the thief,  1998

18 - 20 panels of etched glass, each 30cm x 20cm
metal brackets, each   32cm x 4cm x 6cm

This work forms part of a series dealing with language systems outside traditional or established forms of communication. Often they emerge as a response to situations where survival is threatened under unusual conditions, likely for specific or marginalized communities.

HOBO sign systems, also known as GAUNERZINKEN, are a form of pictograms drawn in chalk in public places as a means of indicating danger or goodwill towards migrant workers known as HOBOS. This coded communication system emerged during the depression area.

Presents for the thief differentiates between stealing and gifting. The notion of presenting a gift to a thief, throws into question
any assumption attached to the definition of stolen or looted goods in relation to goods presented as gifts. The categories of a perpetrator or a thief and a donor or recipient of a gift take on new meaning. With the blurring of clear distinctions of the intentions of an individual, a considered judgement establishing right and wrong become ambiguous.